Editing Arrangement
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'' '''Use the above links to be sure any precedents listed below haven't been superseded by newer precedents.''' '' | '' '''Use the above links to be sure any precedents listed below haven't been superseded by newer precedents.''' '' | ||
==Definition | ==Definition:== | ||
===June 2013 Cover Letter - Handling Pairs and Sheaves in Arrangements:=== | ===June 2013 Cover Letter - Handling Pairs and Sheaves in Arrangements:=== | ||
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==='''February 1985 LoAR - six charges:'''=== | ==='''February 1985 LoAR - six charges:'''=== | ||
"The default arrangement for six charges is three, two and one. [BoE, 3 Feb 85, p.8]" - http://heraldry.sca.org/precedents/baldwin.html | "The default arrangement for six charges is three, two and one. [BoE, 3 Feb 85, p.8]" - http://heraldry.sca.org/precedents/baldwin.html | ||
==Registerability:== | ==Registerability:== | ||
''(Restricted, Reserved, SFPP, OOP)'' | ''(Restricted, Reserved, SFPP, OOP)'' | ||
==August 2019 CL - Charges In Annulo== | |||
On the January 2019 LoAR, I asked for commentary on what form of charges in annulo not in their default orientation, if any, should be allowed in SCA armory. This discussion was a culmination of two years struggling to give clear and unambiguous guidance to submitters who wanted animate charges chasing one another in a circle. This is a very popular motif with submitters, despite it being ruled a step from period practice. I recognize the difficulty in finding the balance between authenticity and aesthetic, and am sensitive to the need to appease submitters. | On the January 2019 LoAR, I asked for commentary on what form of charges in annulo not in their default orientation, if any, should be allowed in SCA armory. This discussion was a culmination of two years struggling to give clear and unambiguous guidance to submitters who wanted animate charges chasing one another in a circle. This is a very popular motif with submitters, despite it being ruled a step from period practice. I recognize the difficulty in finding the balance between authenticity and aesthetic, and am sensitive to the need to appease submitters. | ||