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==Definition/Defining Instance:==  
==Definition/Defining Instance:==  
===November 2020 CL - On Flames
This month, Iago Coquille takes us on an excursion through the depictions of flames in period heraldry. His article is currently available at the Laurel website at https://heraldry.sca.org/armory/flames/, and discusses:
* Flame shape
* Disconnected flames
* Tinctures, including proper
* Depiction of strewn flames
Iago's research affects two items this month. Specifically, we are now overturning precedent: the so-called "crab-claw" depiction, previously viewed as modern as declared on the September 2019 Cover Letter, is now shown to be period and, therefore, usable in Society armory. It is worth noting that not all the sources are Italian -- English, French, and German sources are also represented among others.
Additionally, the ways in which multi-color flames have been depicted in period are much more varied than is typical of our practice. In particular, we now have sufficient evidence to support a variety of ways in which flames may incorporate both red and yellow and still be considered proper, extending beyond our long-held standard of alternating tongues of Or and gules, and future submissions will benefit from this evidence.
https://heraldry.sca.org/loar/2020/11/20-11cl.html
===June 1993 Cover Letter: period enflaming===  
===June 1993 Cover Letter: period enflaming===  
For some time now, we've been instituting a change (actually dating from Master Da'ud's tenure as Laurel) on enflamed charges: how they're considered, and how they're blazoned. In the early days of the Society, a ''[charge] enflamed'' was depicted as a ''[charge]'' completely enveloped by flame --- essentially a full flame, with the [charge] entirely on the flame. In those cases, the [charge] was considered the primary charge, with the flames either an artistic detail or a complex sort of fimbriation. More recently, such designs have been blazoned ''On a flame a [charge]'', making the flame the primary and the [charge] a tertiary. This has two effects: it brings our heraldic practice closer to that of period, and it alters the way difference is counted against such designs.
For some time now, we've been instituting a change (actually dating from Master Da'ud's tenure as Laurel) on enflamed charges: how they're considered, and how they're blazoned. In the early days of the Society, a ''[charge] enflamed'' was depicted as a ''[charge]'' completely enveloped by flame --- essentially a full flame, with the [charge] entirely on the flame. In those cases, the [charge] was considered the primary charge, with the flames either an artistic detail or a complex sort of fimbriation. More recently, such designs have been blazoned ''On a flame a [charge]'', making the flame the primary and the [charge] a tertiary. This has two effects: it brings our heraldic practice closer to that of period, and it alters the way difference is counted against such designs.
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In all ways, then, it's in the submitter's best interest to render an enflamed charge in the period style, rather than as a tertiary on a flame. It's more authentic, '''and''' it reduces the chance of conflict. (24 July, 1993 Cover Letter (June, 1993 LoAR), pp. 5-6)
In all ways, then, it's in the submitter's best interest to render an enflamed charge in the period style, rather than as a tertiary on a flame. It's more authentic, '''and''' it reduces the chance of conflict. (24 July, 1993 Cover Letter (June, 1993 LoAR), pp. 5-6)
http://heraldry.sca.org/loar/1993/06/cvr.html
http://heraldry.sca.org/loar/1993/06/cvr.html


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